Lanzarote's bilingual magazine

Mirador del Río viewpoint

The Mirador del Río is a prime example of the Art-Nature philosophy championed by César Manrique. Opened in 1973, it paved the way for similar projects in La Gomera and El Hierro

Carved into the cliff face 474 metres above the Atlantic, the Mirador del Río offers a stunning panorama. This remarkable creation, built between 1971 and 1972 and opened in 1973, is considered one of Lanzarote artist César Manrique’s greatest achievements. Manrique collaborated with Eduardo Cáceres and Jesús Soto on the project, which was endorsed by José Ramírez Cerdá, then-president of the Cabildo de Lanzarote (Lanzarote Council). Cerdá spearheaded the development of the island’s natural landscapes into the unique and high-quality tourist attractions now known as the Art, Culture and Tourism Centres (CACT).
Perched on the steep cliffs of the northern Famara Massif, the Mirador del Río offers breathtaking views. From the lounge’s two glazed ‘eyes,’ visitors can marvel at the vistas, encompassing the northern islets of the Chinijo Archipelago and El Río, the narrow strait separating Lanzarote from its neighbours. For an even more exhilarating perspective, a railed ledge invites visitors to step outside and admire the spectacular surroundings. This strategically located spot once belonged to the Ministry of Defence.
True to Manrique’s concept of art integrating in perfect harmony with nature, the viewpoint blends seamlessly into the cliff’s landscape thanks to an outer layer of volcanic rock. In line with this organic approach, Manrique created three other viewpoints: Malpaso, also in Lanzarote, El Palmarejo in La Gomera, and La Peña in El Hierro.
Manrique’s design for the Mirador’s interior masterfully complements the beauty of its setting. His signature organic style is evident in the sinuous lines, smooth textures, the striking contrast of bright white and dark volcanic rock, and an ingenious use of light. He also incorporated elements of local culture, including ceramics, plants, and his own artworks such as the hanging sculptures in the main lounge.
Inside, the lounge-cafeteria, tables are arranged before two vast windows, framing the panoramic views. To one side, a curved sofa hugs a large fireplace in a space decorated with a striking hanging lamp.
Outside, a railed balcony provides a vantage point for appreciating the cliff’s dramatic slopes descending to the beach and the Salinas de Guza, likely the oldest salt pans in the Canary Islands, dating back to between 1422 and 1534. An elegant spiral staircase leads to the souvenir shop, also with an incredible vista. From there, a final flight of stairs leads to the highest viewing platform.

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