{"id":43256,"date":"2026-03-31T00:05:19","date_gmt":"2026-03-30T23:05:19","guid":{"rendered":"https:\/\/www.viva-lanzarote.com\/?p=43256"},"modified":"2026-03-31T00:05:19","modified_gmt":"2026-03-30T23:05:19","slug":"benito-cabrera","status":"publish","type":"post","link":"https:\/\/www.viva-lanzarote.com\/en\/benito-cabrera\/","title":{"rendered":"Benito Cabrera"},"content":{"rendered":"<p><i><b><span style=\"color: #3399ff;\"><span style=\"font-size: x-large;\">&#8220;Being appreciated at home means the world to me&#8221;<\/span><\/span><\/b><\/i><\/p>\n<h3><em><strong>Life\u2019s rich tapestry and the timple have fulfilled his dreams in a career defined by experimentation. With a new album, a stage show, and an endless urge to create, Benito Cabrera\u2019s next chapter is already taking shape.<\/strong><\/em><\/h3>\n<p>&nbsp;<\/p>\n<p><strong>Looking back at your early dreams to where you are now, what&#8217;s the verdict? Dreams fulfilled, shelved, surpassed\u2026?<\/strong><\/p>\n<p>&#8216;Quite a few have come true, but I&#8217;m not one for setting rigid goals. I prefer to let life flow and take what it offers. I never imagined I&#8217;d dedicate myself to the timple, but it has allowed me to fulfil my dreams, and then some.&#8217;<\/p>\n<p><strong>You\u2019ve taken the timple around the world, brought it into the symphonic arena, explored its sonic heritage\u2026 Yet it\u2019s essentially the same instrument. Could an evolution, such as an electric timple, take it to another level?<\/strong><\/p>\n<p>\u2018There\u2019s already an electric timple, built by luthier David S\u00e1nchez, which is in the Museo del Timple in Teguise. We\u2019ve experimented with it, but it needs a lot more work, because its register is very high-pitched and distortion can become shrill.\u2019<br \/>\n\u2018Jos\u00e9 Antonio Ramos, a long-time collaborator, is wonderfully bold and created a MIDI timple which I tried. But it\u2019s still uncharted territory demanding hours of work. I prefer to stick with the acoustic, which sits more naturally with my sound. It might be a path worth exploring, but I\u2019ll leave that to others.\u2019<\/p>\n<p align=\"JUSTIFY\"><i><b><span style=\"color: #3399ff;\"><span style=\"font-size: x-large;\">&#8220;A sheet of paper. It gives me more scope&#8221;<\/span><\/span><\/b><\/i><\/p>\n<p align=\"JUSTIFY\"><strong>Without the timple, what other versions of Benito Cabrera might have been possible?<\/strong><\/p>\n<p align=\"JUSTIFY\">\n\u2018Music has always mattered hugely in my life, but I loved the guitar and wanted to be a concert performer. Then the timple came along. Before that, there was Psychology, which I almost finished. It\u2019s given me a useful grounding for managing groups and navigating social relationships. Medicine also crossed my mind\u2026 Dr. Benito Cabrera\u2026 No. I can\u2019t see it now.\u2019<\/p>\n<p align=\"JUSTIFY\">\n<strong>You mentioned you were immersed in a project. Can you give us a preview?<\/strong><\/p>\n<p align=\"JUSTIFY\">\n\u2018Several things, actually. I\u2019m composing a new repertoire titled Atardeceres, due out within a year. It\u2019s a simple format for timple and guitar, with my regular partner, Tom\u00e1s Fari\u00f1a. There\u2019s a thread of continuity with my last album, Isl\u00f3polis, but it\u2019s a more intimate concept. More immediately, we\u2019re taking Isl\u00f3polis to venues across the Canaries and several European cities.<br \/>\nI\u2019m also working on a stage production, De jarana, a fusion of music and movement. It combines dance and physical expression, led by Jep Mel\u00e9ndez, with timple, guitar and a few other instruments. In short, it\u2019s all about experimentation. That&#8217;s what preoccupies me, occupies me, and fulfils me in equal measure. I\u2019ve tried it with the Tenerife Symphony Orchestra, with Cristina Ramos, and, in the past, with Los Sabande\u00f1os\u2026 It\u2019s how you build momentum, and it\u2019s also a form of personal growth.\u2019<\/p>\n<p align=\"JUSTIFY\">\n<strong>If I asked you to write down one of your dreams, would you need a sheet of paper or a musical stave?<\/strong><\/p>\n<p align=\"JUSTIFY\">\n\u2018A sheet of paper. It gives me more scope. Beyond making music, I enjoy writing and communicating.&#8217;<\/p>\n<p align=\"JUSTIFY\">\n<strong>Do emerging talents or established artists ask you for advice? What do you tell them?<\/strong><\/p>\n<p align=\"JUSTIFY\">\n&#8216;I have an excellent relationship with fellow musicians. We collaborate, we feed off one another, we share. The atmosphere is very positive, and it&#8217;s more about exchanging ideas than giving or asking for advice. I also keep in closer touch with those of my generation: Domingo &#8216;El Colorao&#8217;, Jos\u00e9 Vicente, Germ\u00e1n L\u00f3pez\u2026&#8217;<\/p>\n<p align=\"JUSTIFY\">\n<strong>Do you feel appreciated by home audiences?<\/strong><\/p>\n<p align=\"JUSTIFY\">\n&#8216;Generally speaking, yes. I\u2019ve spent many years making a living from music in the Canaries, and music is a delicate business at the best of times. People tend to look abroad first. But despite that local short-sightedness, yes. I do feel appreciated at home.&#8217;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Being appreciated at home means the world to me&#8221; Life\u2019s rich tapestry and the timple have fulfilled his dreams in a career defined by experimentation. 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